Arri Alexa Mini LF *vorbestellung*

Voraussichtlich leihbar ab Sommer 2019

 2.000,00 / Tag
 8.000,00 / Woche

Lieferumfang

  • 1 x K1.0024074 ALEXA Mini LF Body
  • 1 x K2.0018983 ARRI LPL Objektiv-Mount für ALEXA Mini/AMIRA
  • 1 x K2.0016936 PL auf LPL-Adapter
  • 2 x K2.0024130 Codex Compact Drive (1TB )
  • 1 x K2.0020916 Multi Viewfinder MVF-2 für ALEXA Mini LF
  • 1 x K2.0023915 VF-Kabel (0,35 m)
  • 1 x K2.0023943 VF-Kabel (0,5 m)
  • 1 x K2.0023839 Mini Adapter-Platte MAP-2A
  • 1 x K2.0006140 Mini Viewfinder-Klemme MVB-1
  • 1 x K2.73002.0 Center-Kameragriff CCH-2
  • 1 x K2.0023546 Mini Side-Klemme MSB-3
  • 1 x K2.0014957 Mini Side-Klemme MSB-2
  • 1 x K2.0014894 Compact Bridge-Platte CBP-1
  • 1 x K2.0013937 hintere Zubehör-Klemme RAB-1
  • 1 x K2.0023406 RAB-1-Klemme 2
  • 1 x K2.0006186 Rod-Befestigungs-Klemme RMB-3
  • 1 x K2.66255.0 15 mm-Reduktionseinlass
  • 1 x K2.0014532 Power Splitting-Box Mk II (V-Mount)
  • 1 x K2.0015896 Bodenplatte (300 mm)
  • 1 x K2.75007.0 Stromkabel KC-50 (2 m)

    Best overall image quality in large format

    • Immersive large-format look
    • Lower noise with higher usable sensitivity
    • Highest dynamic range of any production camera
    • ARRI color science for natural skin tones, easy color correction and clean VFX
    • Perfect for High Dynamic Range (HDR) and Wide Color Gamut (WCG) displays

    Best overall production value

    • Robust and reliable
    • Easy to operate and use on set
    • Fast and efficient workflows

    New MVF-2 high-contrast HD viewfinder

    • HD OLED display, color science and ARRICAM eyepiece like ALEXA LF EVF-2
    • Optimal judgement of focus, dynamic range and color
    • Stable color balance through temperature-controlled display
    • Large 4” flip-out monitor shows image or camera menu
    • Three operation modes: single operator, crew or remote
    • New flexible and reliable CoaXPress VF cable, up to 10 m/33 ft

     Internal recording to new Codex Compact Drive

    • Uncompressed and unencrypted MXF/ARRIRAW
    • Fast and efficient MXF/Apple ProRes
    • New Codex Compact Drive 1TB is small, tough and cost-efficient
    • Affordable Compact Drive Reader works without license or extra software
    • Compact Drive Adapter is compatible with SXR Capture Drive Docks

    Additional new features

    • Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8
    • New dedicated, regulated 12 V and 24 V accessory power outputs
    • New SYNC IN and improved AUDIO connectors
    • Two built-in microphones
    • Six user buttons on camera’s left side
    • One LOCK button each for camera and viewfinder
    • Additional external WiFi antenna
    • Easier access to media, VF and TC connectors

    Great system compatibility

    • Same sensor and recording formats as ALEXA LF
    • Compatible with LPL and PL mount lenses, Super 35 and full frame
    • Supports all anamorphic de-squeeze ratios
    • Compatible with almost all ALEXA Mini accessories
    • Compatible with ARRI and cmotion wireless remote systems
    • Works with 12 V and 24 V on-board batteries (∼65 W power draw)
    Model
    ALEXA Mini LF
    Sensor Type
    Large Format ARRI ALEV III (A2X) CMOS sensor with Bayer pattern color filter array
    Sensor Maximum Resolution and Size
    4448 x 3096
    36.70 x 25.54 mm / 1.444 x 1.005″
    ⌀ 44.71 mm / 1.760″
    Sensor Frame Rates
    0.75 – 90 fps
    Weight
    ∼2.6 kg / ∼5.7 lbs
    (camera body with LPL lens mount)
    800 g (MVF-2)
    Photosite Pitch
    8.25 μm
    Sensor Active Image Area (photosites)
    LF Open Gate ProRes 4.5K: 4448 x 3096
    LF Open Gate ARRIRAW 4.5K: 4448 x 3096
    LF 16:9 ProRes HD: 3840 x 2160
    LF 16:9 ProRes 2K: 3840 x 2160
    LF 16:9 ProRes UHD: 3840 x 2160
    LF 16:9 ARRIRAW UHD: 3840 x 2160
    LF 2.39:1 ProRes 4.5K: 4448 x 1856
    LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
    Sensor Active Image Area (dimensions)
    LF Open Gate ProRes 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″
    LF Open Gate ARRIRAW 4.5K: 36.70 x 25.54 mm / 1.445 x 1.006″
    LF 16:9 ProRes HD: 31.68 x 17.82 mm / 1.247 x 0.702″
    LF 16:9 ProRes 2K: 31.68 x 17.82 mm / 1.247 x 0.702″
    LF 16:9 ProRes UHD: 31.68 x 17.82 mm / 1.247 x 0.702″
    LF 16:9 ARRIRAW UHD: 31.68 x 17.82 mm / 1.247 x 0.702″
    LF 2.39:1 ProRes 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″
    LF 2.39:1 ARRIRAW 4.5K: 36.70 x 15.31 mm / 1.445 x 0.603″
    Recording File Container Size (pixel)
    LF Open Gate ProRes 4.5K: 4480 x 3096
    LF Open Gate ARRIRAW 4.5K: 4448 x 3096
    LF 16:9 ProRes HD: 1920 x 1080
    LF 16:9 ProRes 2K: 2048 x 1152
    LF 16:9 ProRes UHD: 3840 x 2160
    LF 16:9 ARRIRAW UHD: 3840 x 2160
    LF 2.39:1 ProRes 4.5K: 4480 x 1856
    LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
    Recording File Image Content (pixel)
    LF Open Gate ProRes 4.5K: 4448 x 3096
    LF Open Gate ARRIRAW 4.5K: 4448 x 3096
    LF 16:9 ProRes HD: 1920 x 1080
    LF 16:9 ProRes 2K: 2048 x 1152
    LF 16:9 ProRes UHD: 3840 x 2160
    LF 16:9 ARRIRAW UHD: 3840 x 2160
    LF 2.39:1 ProRes 4.5K: 4448 x 1856
    LF 2.39:1 ARRIRAW 4.5K: 4448 x 1856
    Exposure Latitude
    14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC-1)
    Exposure Index
    Adjustable from EI 160-3200 in 1/3 stops
    EI 800 base sensitivity
    Shutter
    Electronic shutter, 5.0°- 356° or 1s – 1/8000s
    Recording Formats
    MXF/ARRIRAW
    MXF/Apple ProRes 4444 XQ
    MXF/Apple ProRes 4444
    MXF/Apple ProRes 422 (HQ)
    Recording Media
    Codex Compact Drives
    Recording Frame Rates
    LF Open Gate ProRes 4.5K: 0.75 – 40 fps
    LF Open Gate ARRIRAW 4.5K: 0.75 – 40 fps
    LF 16:9 ProRes HD: 0.75 – 90 fps
    LF 16:9 ProRes 2K: 0.75 – 90 fps
    LF 16:9 ProRes UHD: 0.75 – 60 fps
    LF 16:9 ARRIRAW UHD: 0.75 – 60 fps
    LF 2.39:1 ProRes 4.5K: 0.75 – 60 fps
    LF 2.39:1 ARRIRAW 4.5K: 0.75 – 60 fps
    Note: maximum fps values are preliminary information
    Recording Modes
    Standard real-time recording
    No Pre-recording
    No Intervalometer
    Viewfinder Type
    Multi Viewfinder MVF-2 with 4″ flip-out monitor
    Viewfinder Technology
    OLED viewfinder display
    LCD fold out monitor
    Viewfinder Resolution (pixel)
    1920 x 1080
    Viewfinder Diopter
    Adjustable from -5 to +5 diopters
    Color Output
    Rec 709
    Rec 2020
    Log C
    Custom Look (ARRI Look File ALF-2)
    Look Control
    Import of custom 3D LUT
    ASC CDL parameters (slope, offset, power, saturation)
    White Balance
    Manual and auto white balance, adjustable from 2000K to 11000K in 10K steps
    Color correction adjustable range from -16 to +16 CC
    1 CC corresponds to 035 Kodak CC values or 1/8 Rosco values
    Filters
    Built-in motorized ND filters 0.6, 1.2, 1.8
    Fixed optical low pass, UV, IR filter
    Image Outputs
    1x proprietary signal output for MVF-2 viewfinder
    SDI 1: 1.5G 422 HD (SMPTE ST292-1, up to 30 fps), 3G 422 HD (SMPTE ST425-1, up to 60 fps), 3G 444 HD (SMPTE ST425-3, up to 30 fps), 6G 422 UHD (SMPTE ST2081-10, up to 30 fps)*
    SDI 1: 1.5G 422 HD (SMPTE ST292-1, up to 30 fps), 3G 422 HD (SMPTE ST425-1, up to 60 fps), 3G 444 HD (SMPTE ST425-3, up to 30 fps), 6G 422 UHD (SMPTE ST2081-10, up to 30 fps)*
    *If one SDI output is switched to 6G UHD, the other one will have to be 1.5G HD or 3G HD

    Both SDI outputs carry uncompressed video with embedded audio and metadata. SDI 1 and 2 can be either “clean” (HD or UHD) or “processed” (only HD). Clean is an image without any overlays (status, false color, zebra, framelines, etc.). Both SDIs can be clean at the same time. If one SDI is switched to processed, the other can be a clone of that one, or has to be clean.

    Lens Squeeze Factors
    1.00
    1.25
    1.30
    1.50
    1.65
    1.80
    2.00
    Exposure and Focus Tools
    False Color
    Zebra
    Zoom
    Aperture and Color Peaking
    Audio Input
    1x LEMO 6pin balanced stereo line in with 12V power output
    (Line input max. level +24dBu correlating to 0dBFS)
    Audio Output
    SDI (embedded)
    3,5mm stereo headphone jack (on MVF-2)
    Audio Recording
    2 channel linear PCM, 24 bit 48 kHz
    Remote Control Options
    MVF-2 viewfinder can act as wired remote control with 10m/33ft cable
    Web-based remote control from smart phones, tablets and laptops via WiFi & Ethernet (beta version)
    Camera Access Protocol (CAP) via Ethernet & WiFi
    GPIO interface for integration with custom control interfaces
    WCU-4 hand-unit with control over lens motors and operational parameters via built-in white radio
    SXU-1 hand-unit with control over one lens channel
    OCU-1 and Master Grip control of lens and user buttons
    Interfaces
    1x LEMO 5pin LTC Timecode In/Out
    1x LEMO 10pin Ethernet for remote control and service
    1x BNC SYNC IN
    1x LEMO 7pin EXT multi purpose accessory interface w. RS pin and 24V power output
    1x LEMO 4pin LBUS (on lens mount) for lens motors, daisy chainable
    1x USB 2.0 in media bay (for user setups, look files etc)
    Wireless Interfaces
    Built-in WiFi module (IEEE 802.11b/g)
    Built-in White Radio for ARRI lens and camera remote control
    Lens Mounts
    LPL lens mount with LBUS connector
    PL-to-LPL adapter
    Leitz M mount (availbale from Leitz)
    Flange Focal Depth
    LPL mount: 44 mm
    with PL-to-LPL adapter: 52 mm
    Power Input
    1x LEMO 8pin (11-34 V DC)
    Power Consumption
    Around 65 W when recording ARRIRAW at 24 fps with MVF-2 attached (preliminary information)
    Power Outputs
    1x Fischer 3pin 24V RS
    1x LEMO 2pin 12V
    1x LEMO 7pin EXT 24V power output
    Power Management
    Measurements (HxWxL)
    140 x 143 x 188 mm / 5.5 x 5.6 x 7.4″
    (camera body with LPL lens mount)
    Operating Temperature
    -20° C to +45° C / -4° F to +113° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
    Storage Temperature
    -30° C to +70° C / -22° F to +158° F
    Sound Level
    < 20 dB(A) at 24fps

    Das könnte Sie auch interessieren…