Red One MX 4,5k Raw digitale Kinokamera

The #LivingLegend hier bei uns als Special für Studenten! 4,5k Raw im almost-vintage look

 200,00  100,00 / Tag
 400,00 / Woche

Lieferumfang

  • 1x Red One MX Body
  • 1x P+S Technik PL Mount + Cap
  • 1x Red LCD Monitor 5.6″ + Kabel
  • 1x Red BombEVF + Noga-Arm + Kabel
  • 1x Craddle mit VMount Platte
  • 1x Bridgeplate
  • 2x 19mm Rod
  • 1x Red Drive 640GB
  • 1x Red Drive 320GB
  • 1x Red Drive Kabel
  • 8x 16GB Red CF Cards
  • 1x ET SDI Breakout Box
Angebot!
ausgestattet mit dem selben Sensor (Mysterium-X) wie in aktuellen Red Epic und Red Scarlet MX Kameras ist die gute alte Red One immernoch eine High-End digitale Kinokamera die aktuellen Kameras lediglicht in Sachen Formfaktor und Ergonomie unterlegen ist. Andererseits bekommt Schulterkamera auch erst mit richtig schweren Mühlen ihren einmaligen Kinolook 😉
Gegen Vorlage eines gültigen Studentenausweises bieten wir hier Filmstudenten die Möglichkeit ihr nächstes Projekt in 4,5k Raw und bewährtem Red Look für nur 100€/Tag zu verwirklichen.
RED ONE

RED ONE

THE ORIGINAL

The RED ONE redefined digital cinema upon its arrival, democratizing 4K capture and challenging the status quo. Utilizing an S35mm image plane, the RED ONE displays a natural depth of field from 2K to 4.5K resolutions. Seize every moment with the ability to capture anywhere from 1-120 fps onto high-speed RED CF or SSD media. Interchangeable lens mounts and free firmware updates keep the RED ONE versatile, letting you and your equipment thrive on the cutting edge. A revolution always starts with ONE.

4K  Revolution

Since its arrival, the RED ONE has established a pedigree of Oscar winning films, 3D features, and even magazine covers that have solidified its reputation as a reliable workhorse. Introduced as the purest digital alternative to 35mm film, the RED ONE has shot some of the most influential films of our time – from “Che” to “The Social Network”. Its ability to sustain brilliant 4K images in even the toughest environments has contributed to its enduring success as one of the greatest digital cinema cameras of all time.

Solid Firmware

Solid

Firmware

With over 5 years of experience, the RED ONE has matured to become as stable as it is powerful. Continually evolving firmware keeps your RED ONE up-to-date, ensuring that your camera is always satisfying the highest standards of performance. The addition of the Mysterium-X™ sensor and improved audio capabilities has contributed to the success and longevity of the RED ONE. Now with the ability to reach up to 4.5K, RED firmware continues to bring out the best of the best.

Covers Covered

Covers  Covered

Photography icons from Bruce Weber to Greg Williams have used RED cameras to shoot for the most influential fashion magazines in the world. Vogue, Harpers Bazaar, and W magazine have all counted on RED DSMC for covers, photo spreads and video content—getting the most out of every shoot.

Color Grading

Grading  On A Curve

REDCINE-X PRO software provides you with a wealth of integrated tools to import, finish, and export your images within minutes. Offload your media using one of our RED STATIONS and process your images with familiar grading modules and filters. Whether you’re working with a stills or motion workflow, REDCINE-X PRO hosts an array of advanced features to support your workflow from end to end. Take advantage of your RAW potential with REDCINE-X PRO—available free only on RED.com.

SENSOR14 Megapixel MYSTERIUM-X®
PIXEL ARRAY5120 (h) x 2700 (v)
MAX IMAGE AREA4480 (h) x 2304 (v)
DYNAMIC RANGE13+ stops
S/N RATIO66 dB
LENS COVERAGE24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
MAX DEPTH OF FIELDEquivalent to S35mm (Motion) lens

Equivalent to 16mm (Motion) lens in 2K RAW

PROJECT TIMEBASE23.98, 24, 25, 29.97 fps @ 4K and 4.5K resolution

50, 59.94fps @ 2K and 3K resolution

RECORDING FRAME RATES1–30 fps @ 4.5K, 4K

1–60 fps @ 3K

1–120 fps @ 2K

REDCODE® COMPRESSION12-bit RAW : RC28, 36, 42 Quality Levels
REDCODE RAW

ACQUISITION FORMATS

4.5K (2.4:1)

4K (16:9, HD, 2:1, and Anamorphic 2:1)

3K (16:9, 2:1, and Anamorphic 2:1)

2K (16:9, 2:1, and Anamorphic 2:1)

DELIVERY FORMATS14K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode Plugin)

1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG

Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4

MONITOR OUTPUTSHD-SDI and HDMI with Frame Guides and Look Around

720p RGB or 4:2:2

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONSRED LCD 5″ Flat Panel Display

RED PRO LCD 7″ Flat Panel Display

BOMB EVF (LCOS) High Definition Viewfinder

BOMB EVF (OLED) High Definition Viewfinder

DIGITAL MEDIARED CF, REDMAG 1.8″
AUDIO4 channel, uncompressed, 24-bit 48 kHz
REMOTE CONTROLUSB-2, GPI Trigger
CONSTRUCTIONAluminum Alloy
WEIGHT10 lbs (Body only)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)

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