Red Weapon Monstro 8k VV Basis Kit

8k VistaVision bei 17+ Dynamic Range. Der feuchte Traum jedes Kameranerds.

 1.500,00 / Tag
 6.000,00 / Woche

Lieferumfang

  • 1x Red Weapon Monstro 8k VV Body mit PL-Mount oder EF-Mount
  • 1x Bridgeplate
  • 1x Dovetail
  • 2x 19mm Rods
  • 1x Red-Touch
  • 1x Red EVF
  • 1x V-Mount Platte
  • 2x V-Mount Akku á minimum 155Wh
  • 1x V-Mount Ladegerät
  • 1x 480gb Red Minimag
  • 1x SSD Lesegerät (Red Station)
  • diverses Zubehör optional (Sync-Kabel, Mountingoptionen, etc)

Das absolute Red Flagschiff mit 8k VistaVision Sensor bei 17+ Blenden Dynamic-Range. Krasser wirds erstmal nicht mehr.

Capable of shooting motion and stills in 8K 2.4:1 at up to 75 frames per second (fps), or 8K Full Format at 60 fps—WEAPON 8K VV delivers cinematic image quality with a sensor size of 40.96 mm x 21.60 mm.

At full 8K resolution, the MONSTRO sensor captures 35.4 Megapixel motion and stills with low noise and now ships with IPP2, RED’s improved image processing pipeline. WEAPON 8K VV provides the most advanced VFX solution with next-level creative flexibility. Blazing-fast 300 MB/s data rates allow you to take advantage of the best possible REDCODE® settings — and record proxy 4K Apple ProRes or 4K Avid DNxHR formats, simultaneously.

As a member of the DSMC2® camera lineup, WEAPON 8K VV benefits from the advanced modularity of the RED ecosystem. Featuring cable-free peripherals, an integrated mounting plate, wireless control, and compatibility with a growing number of DSMC2 modules and accessories. WEAPON also supports interchangeable OLPFs and lens mounts—empowering you to make the most of all of your VV compatible PL and Canon lenses.

WEAPON 8K VV
SENSOR TYPEMONSTRO 35.4 Megapixel CMOS
EFFECTIVE PIXELS8192 × 4320
SENSOR SIZE40.96 mm x 21.60 mm (Diagonal: 46.31 mm)
DYNAMIC RANGE17+ stops
MAX DATA RATESUp to 300 MB/s using RED MINIMAG (480GB & 960GB)

Up to 225 MB/s using RED MINIMAG (120GB & 240GB)

MAX FRAME RATES160 fps at 8K Full Format (8192 × 4320), 75 fps at 8K 2.4:1 (8192 × 3456)

60 fps at 7K Full Format (7168 × 3780), 75 fps at 7K 2.4:1 (7168 × 3024)

75 fps at 6K Full Format (6144 × 3240), 100 fps at 6K 2.4:1 (6144 × 2592)

96 fps at 5K Full Format (5120 × 2700), 120 fps at 5K 2.4:1 (5120 × 2160)

120 fps at 4K Full Format (4096 × 2160), 150 fps at 4K 2.4:1 (4096 × 1728)

150 fps at 3K Full Format (3072 × 1620), 200 fps at 3K 2.4:1 (3072 × 1296)

240 fps at 2K Full Format (2048 × 1080), 300 fps at 2K 2.4:1 (2048 × 864)

PLAYBACK FRAME RATES

(PROJECT TIMEBASE)

23.98, 24, 25, 29.97, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS

RANGE FROM 2:1 UP TO 22:11

5:1 REDCODE for 8K Full Format (8192 × 4320) at 24 fps

12:1 REDCODE for 8K Full Format (8192 × 4320) at 60 fps

2:1 REDCODE for 4K Full Format (4096 × 2160) at 24 fps

3:1 REDCODE for 4K Full Format (4096 × 2160) at 60 fps

REDCODE RAW

ACQUISITION FORMATS2

8K Full Format (8192 × 4320), 2:1, 2.4:1, 16:9, 14:9, 8:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

7K Full Format (7168 × 3780), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

6K Full Format (6144 × 3240), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x

5K Full Format (5120 × 2700), 2:1, 2.4:1, 16:9, 8:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

4K Full Format (4096 × 2160), 2:1, 2.4:1, 16:9, 8:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, 1:1, and Ana 2x, 1.3x

3K Full Format (3072 × 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

2K Full Format (2048 × 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x

APPLE PRORESProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 29.97 fps

ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps

ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps

AVID CODECS3DNxHR HQX at 4K (4096 × 2160) 12-bit up to 29.97 fps

DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 29.97 fps

DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps

DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps

DNxHD HQ, SQ and LB (1920 × 1080) 8-bit up to 120 fps

CONSTRUCTIONCarbon Fiber, Magnesium, and Aluminum Alloy
WEIGHT3.3 lbs (BRAIN with Integrated Media Bay)
OPERATING TEMPERATURE0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE–20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY0% to 85% non-condensing
COLOR MANAGEMENTSupports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs

Variable number of 3D LUT outputs with DSMC2 expander module

User programmable shaper 1D LUTs

Tetrahedral interpolation, 16-bit processing

AUDIOIntegrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz

Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz

REMOTE CONTROLIntegrated R.C.P. WiFi antenna

Ethernet, RS232, and GPI Trigger with DSMC2 expander module

MONITOR OUTPUTS3G-SDI (HD-SDI) and HDMI with DSMC2 expander module

1080p RGB or 4:2:2, 720p RGB or 4:2:2

480p RGB or 4:2:2 (HDMI only)

SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio

MONITOR OPTIONSDSMC2 RED Touch 4.7″ LCD, DSMC2 RED Touch 7.0″ LCD and DSMC2 RED EVF (OLED) with cable-free connection.

RED Touch 9.0″ LCD, RED Touch 7.0″ LCD, RED Touch 5.0″ LCD, RED PRO 7″ LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LEMO Adaptor A and LCD/EVF cable.

REDCINE-X PRO

DELIVERY FORMATS

4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)

1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF

1080p 4:2:0, 720p 4:2:0 : H.264, .MP4

VIDEO EDITING SOFTWARE

COMPATIBILITY4

Adobe Premiere Pro, AVID Media Composer,

DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro

  1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
  2. For more information on available acquisition formats, see the DSMC Operation Guides.
  3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
  4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.

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